Creator: LeRoy Neiman Center for Print Studies, Columbia University / Contributing Institution: Smithsonian American Art Museum / Harvested From (Editors Only): Smithsonian Institution - Umbra Search Results Search African American History

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Alabama Loyalists Greeting the Federal Gun-Boats, from the portfolio Harper's Pictorial History of the Civil War (Annotated)

1. Alabama Loyalists Greeting the Federal Gun-Boats, from the portfolio Harper's Pictorial History of the Civil War (Annotated)

LeRoy Neiman Center for Print Studies, Columbia University

Keywords:

African American; African Americans; American Civil War (1861 1865); Civil War; Civil War, 1861 1865; Ethnic; Ethnicity; History; Le Roy Neiman Center For Print Studies, Columbia University; United States; Walker, Kara

View @ Smithsonian American Art Museum

An Army Train, from the portfolio Harper's Pictorial History of the Civil War (Annotated)

2. An Army Train, from the portfolio Harper's Pictorial History of the Civil War (Annotated)

LeRoy Neiman Center for Print Studies, Columbia University

Keywords:

African American; African Americans; American Civil War (1861 1865); Civil War; Civil War, 1861 1865; Covered Wagon; Death; Description And Travel; Ethnic; Ethnicity; Figure Group; History; Land; Le Roy Neiman Center For Print Studies, Columbia University; State Of Being; Travel; United States; Walker, Kara

View @ Smithsonian American Art Museum

Banks's Army Leaving Simmsport, from the portfolio Harper's Pictorial History of the Civil War (Annotated)

3. Banks's Army Leaving Simmsport, from the portfolio Harper's Pictorial History of the Civil War (Annotated)

LeRoy Neiman Center for Print Studies, Columbia University

Keywords:

African American; African Americans; American Civil War (1861 1865); Civil War; Civil War, 1861 1865; Ethnic; Ethnicity; Figure Group; History; Le Roy Neiman Center For Print Studies, Columbia University; United States; Walker, Kara

View @ Smithsonian American Art Museum

Buzzard's Roost Pass, from the portfolio Harper's Pictorial History of the Civil War (Annotated)

4. Buzzard's Roost Pass, from the portfolio Harper's Pictorial History of the Civil War (Annotated)

LeRoy Neiman Center for Print Studies, Columbia University

Keywords:

African American; African Americans; American Civil War (1861 1865); Arm; Civil War; Civil War, 1861 1865; Ethnic; Ethnicity; Figure; Figure Female; Fragment; Head; History; Landscape; Landscapes; Le Roy Neiman Center For Print Studies, Columbia University; Mountain; Mountains; United States; Walker, Kara

View @ Smithsonian American Art Museum

Confederate Prisoners Being Conducted from Jonesborough to Atlanta, from the portfolio Harper's Pictorial History of the Civil War (Annotated)

5. Confederate Prisoners Being Conducted from Jonesborough to Atlanta, from the portfolio Harper's Pictorial History of the Civil War (Annotated)

LeRoy Neiman Center for Print Studies, Columbia University

Keywords:

African American; African Americans; American Civil War (1861 1865); Civil War; Civil War, 1861 1865; Ethnic; Ethnicity; Figure Group; Figure Male; Head; History; Le Roy Neiman Center For Print Studies, Columbia University; United States; Walker, Kara

View @ Smithsonian American Art Museum

Cotton Hoards in Southern Swamp, from the portfolio Harper's Pictorial History of the Civil War (Annotated)

6. Cotton Hoards in Southern Swamp, from the portfolio Harper's Pictorial History of the Civil War (Annotated)

LeRoy Neiman Center for Print Studies, Columbia University

Keywords:

African American; African Americans; American Civil War (1861 1865); Boat; Boats And Boating; Civil War; Civil War, 1861 1865; Cotton Industry; Description And Travel; Ethnic; Ethnicity; Figure Group; Figure Male; History; Industrialization; Industry; Le Roy Neiman Center For Print Studies, Columbia University; Nude; Nudity; Occupation; Occupations; Travel; United States; Walker, Kara; Water

View @ Smithsonian American Art Museum

Crest of Pine Mountain, Where General Polk Fell, from the portfolio Harper's Pictorial History of the Civil War (Annotated)

7. Crest of Pine Mountain, Where General Polk Fell, from the portfolio Harper's Pictorial History of the Civil War (Annotated)

LeRoy Neiman Center for Print Studies, Columbia University

Keywords:

African American; African Americans; American Civil War (1861 1865); Axe; Axes; Civil War; Civil War, 1861 1865; Ethnic; Ethnicity; Figure Female; Figure Group; History; Le Roy Neiman Center For Print Studies, Columbia University; Nude; Nudity; Object; United States; Walker, Kara; Weapon; Weapons

View @ Smithsonian American Art Museum

Deadbrook after the Battle of Ezra's Church, from the portfolio Harper's Pictorial History of the Civil War (Annotated)

8. Deadbrook after the Battle of Ezra's Church, from the portfolio Harper's Pictorial History of the Civil War (Annotated)

LeRoy Neiman Center for Print Studies, Columbia University

Keywords:

African American; African Americans; American Civil War (1861 1865); Civil War; Civil War, 1861 1865; Ethnic; Ethnicity; Figure Group; History; Landscape; Landscapes; Le Roy Neiman Center For Print Studies, Columbia University; United States; Walker, Kara; Water

View @ Smithsonian American Art Museum

Exodus of Confederates from Atlanta, from the portfolio Harper's Pictorial History of the Civil War (Annotated)

9. Exodus of Confederates from Atlanta, from the portfolio Harper's Pictorial History of the Civil War (Annotated)

LeRoy Neiman Center for Print Studies, Columbia University

Keywords:

African American; African Americans; American Civil War (1861 1865); Atlanta; Civil War; Civil War, 1861 1865; Ethnic; Ethnicity; Figure; Georgia; Head; History; Landscape; Landscapes; Le Roy Neiman Center For Print Studies, Columbia University; United States; Walker, Kara

View @ Smithsonian American Art Museum

Foote's Gun-Boats Ascending to Attack Fort Henry, from the portfolio Harper's Pictorial History of the Civil War (Annotated)

10. Foote's Gun-Boats Ascending to Attack Fort Henry, from the portfolio Harper's Pictorial History of the Civil War (Annotated)

LeRoy Neiman Center for Print Studies, Columbia University

Keywords:

African American; African Americans; American Civil War (1861 1865); Civil War; Civil War, 1861 1865; Ethnic; Ethnicity; Figure Group; History; Le Roy Neiman Center For Print Studies, Columbia University; United States; Walker, Kara

View @ Smithsonian American Art Museum

Lost Mountain at Sunrise, from the portfolio Harper's Pictorial History of the Civil War (Annotated)

11. Lost Mountain at Sunrise, from the portfolio Harper's Pictorial History of the Civil War (Annotated)

LeRoy Neiman Center for Print Studies, Columbia University

Keywords:

African American; African Americans; American Civil War (1861 1865); Civil War; Civil War, 1861 1865; Ethnic; Ethnicity; History; Landscape; Landscapes; Le Roy Neiman Center For Print Studies, Columbia University; Mountain; Mountains; Sunrise; Time; United States; Walker, Kara

View @ Smithsonian American Art Museum

Occupation of Alexandria, from the portfolio Harper's Pictorial History of the Civil War (Annotated)

12. Occupation of Alexandria, from the portfolio Harper's Pictorial History of the Civil War (Annotated)

LeRoy Neiman Center for Print Studies, Columbia University

Keywords:

African American; African Americans; American Civil War (1861 1865); Civil War; Civil War, 1861 1865; Emotion; Emotions; Ethnic; Ethnicity; Figure Female; Figure Group; History; Le Roy Neiman Center For Print Studies, Columbia University; Nude; Nudity; Sorrow; State Of Being; United States; Walker, Kara

View @ Smithsonian American Art Museum

Pack-Mules in the Mountains, from the portfolio Harper's Pictorial History of the Civil War (Annotated)

13. Pack-Mules in the Mountains, from the portfolio Harper's Pictorial History of the Civil War (Annotated)

LeRoy Neiman Center for Print Studies, Columbia University

Keywords:

African American; African Americans; American Civil War (1861 1865); Animal; Animals; Civil War; Civil War, 1861 1865; Ethnic; Ethnicity; Figure; Head; History; Landscape; Landscapes; Le Roy Neiman Center For Print Studies, Columbia University; Mountain; Mountains; Mule; United States; Walker, Kara

View @ Smithsonian American Art Museum

Scene of McPherson's Death, from the portfolio Harper's Pictorial History of the Civil War (Annotated)

14. Scene of McPherson's Death, from the portfolio Harper's Pictorial History of the Civil War (Annotated)

LeRoy Neiman Center for Print Studies, Columbia University

Keywords:

African American; African Americans; American Civil War (1861 1865); Civil War; Civil War, 1861 1865; Death; Ethnic; Ethnicity; Figure; Fragment; History; Le Roy Neiman Center For Print Studies, Columbia University; Leg; State Of Being; United States; Walker, Kara

View @ Smithsonian American Art Museum

Signal Station, Summit of Maryland Heights, from the portfolio Harper's Pictorial History of the Civil War (Annotated)

15. Signal Station, Summit of Maryland Heights, from the portfolio Harper's Pictorial History of the Civil War (Annotated)

LeRoy Neiman Center for Print Studies, Columbia University

Keywords:

African American; African Americans; American Civil War (1861 1865); Civil War; Civil War, 1861 1865; Ethnic; Ethnicity; History; Landscape; Landscapes; Le Roy Neiman Center For Print Studies, Columbia University; Maryland Heights; Mountain; Mountains; United States; Walker, Kara

View @ Smithsonian American Art Museum