Description
Aaron Douglas was one of the leading figures in the flowering of modernist African American culture in the early twentieth century. This 1925 self-portrait attests to the remarkable skill and draftsmanship, not to mention self-possession, of the young artist months after he had left his position teaching high school art in Kansas City, Missouri, and moved to Harlem, New York. Using red Conte crayon and exercising restraint to create highlights on the cheeks, chin, and forehead, Douglas depicts himself as a sensitive, sentient black man. During the Harlem Renaissance, when this work was made, many young African Americans were exploring their identities, their roots, and their place in the world. Douglas depicts himself just as his self- consciousness and his political yearnings were being stirred. At the time, he had begun creating illustra- tions for the Urban League’s journal, Opportunity, as well as for the landmark manifesto of the Harlem Renaissance, Alain Locke’s The New Negro (1925).Aaron Douglas fue una de las figuras principales en el florecimiento de la cultura afroamericana modernista a principios del siglo XX. Este autorre- trato suyo de 1925 manifiesta no solo la extraor- dinaria destreza y técnica de dibujo de este joven artista, sino también su seguridad en sí mismo, habiendo abandonado meses antes su puesto de maestro de arte en una escuela secundaria de Kansas City, Misuri, para irse a Harlem, Nueva York. Empleando crayón Conté rojo, con discretos toques de luz en las mejillas, la barbilla y la frente, Douglas se representa aquí...
Image
Red Conte Crayon On Paper
National Portrait Gallery, Smithsonian Institution; gift of the Abraham and Virginia Weiss Charitable Trust, Amy and Marc Meadows, in honor of Wendy Wick Reaves
