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Reconstruction

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@ National Museum of American History

Bateman, Horatio Giles, John Lawrence Ratellier, Francis

Description

This allegorical print displays hopes for reconciliation through the federal program of Reconstruction. The nation and government are symbolized by an enormous canopy-like structure, upon which is emblazoned with a map of the United States. An eagle holding a crest and American flag sits atop the map. A frieze that encircles the structure’s dome displays depictions of the Senate, House of Representatives, Supreme Court, and Cabinet. Pillars representing each of the state governments support the dome. However, the pillars and bases symbolizing the Confederate states are in the process of being replaced, providing for the viewer a pictorial representation of the process of Reconstruction. Under the shelter of the canopy, the leaders of the Union and the Confederacy come to terms: Ulysses S. Grant shakes hands with Robert E. Lee and Horace Greely embraces Jefferson Davis. At the bottom of the illustration, a black and white baby sleep under an eagle holding a banner reading, “All men are born free and equal.” In the lower left, intermixed gathering of black and white voters gather near two plaques labeled “Universal Suffrage.” In the lower right, white officials meet with Native American chiefs in a tent to discuss terms of “Indian Reconstruction.” Nearby, black and white children play together in the yard of a school marked as “Universal Education.” Above the landscape of the print, the faces of various American statesmen and historical figures look down from a cloud upon Reconstruction. Near the center of this array of profiles, John C. Calhoun...
Format:
Paper (Overall Material)Ink (Overall Material)
Rights:
Harry T. Peters "America on Stone" Lithography Collection
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Record Contributed By

National Museum of American History

Record Harvested From

Smithsonian Institution