@ Smithsonian American Art Museum
DescriptionJohnson spent decades traveling the world, searching for the authentic spirit of ordinary people from different cultures. In the late 1930s, he found what he was looking for in his own African American community. The strong colors and silhouettes in this painting evoke the African art that black artists and writers had embraced during the Harlem Renaissance. But this affectionate couple also had the fashionable flash of zooit-suiters in the big band era. Above the table, the two figures coolly take in the café scene; below, a tangle of legs and limbs hints at the erotic energy of a night on the town.Exhibition Label, Smithsonian American Art Museum, 2006African American Art is a rich part of the Smithsonian American Art Museum's collection, which is the largest and one of the finest in the United States. The museum began acquiring work by African American artists in the 1960s, some in depth — such as Henry Ossawa Tanner, William H. Johnson, and Alma Thomas. Many of the social, political, and cultural movements that came to define the twentieth century in America and captured the imagination of artists — such as the Jazz Age, the Harlem Renaissance, and the civil rights movement — were rooted in African American communities.William H. Johnson traveled the world, seeking the authentic spirit of ordinary people from different cultures. In the late 1930s, he found what he was looking for in his own African American community. The strong colors and silhouettes in Café evoke the African art that...
Oil On Paperboard
Ca. 1939 1940
Smithsonian American Art Museum, Gift of the Harmon Foundation